But I was always much more interested in reading fashion magazines than I was music magazines when I was a teenager. Just that sense of romanticism and escapism and the dream of it has always been quite alluring to me, as well as that sense of becoming a character through clothes.

Everything has such order and everyone is so focused on doing what they're doing that no one ever pays attention to you spinning and dancing around supermarkets. It's something you find in places like supermarkets and airports, where everything is really ordered. There's something about those places that makes you feel really anonymous.

I've been thinking about songwriting more in terms of playing it live, and how it will sound as a band.

The music is so euphoric,as a way of battling the words. It’s like an exorcism, beating it out with drums, shake this demon out, it’s so visceral because the melancholy has to be drummed out. I can’t let it sit inside me.

You know, people always ask, 'What are you like offstage?' And I always say, 'Well, I'm completely normal and mellow.'

The Teenage Cancer Trust does incredible work supporting and caring for teenagers and young adults with cancer, and it's a cause that is really close to me and my family.

It was a complete dream to work with David LaChapelle. I collected his books as a teenager, and I fantasised that he would direct the video for 'Spectrum' from the moment the song was written. I still can't believe it actually happened, 
and I'm completely overjoyed that he felt such a connection with the song.