I used to dress like an eight-year-old boy. Traveling has inspired me to be more experimental.

I look really odd in jeans and a hoodie - it doesn't feel or seem right.

What I really like seeing from the stage is people having their own moments, when people are doing some performance of their own.

I've always been able to just concoct a melody quite easily - it's just kind of instinct, really. You've got to channel your subconscious.

On stage, you can use your emotions. It's the place where you can channel them. They have a purpose.

I try to maintain a healthy dose of daydreaming, to remain sane.

My visual landscape as a child was the inside of a lot of these old churches. And the Baroque drama of the things was what I was first engaging with artwise. I'm much more attracted to the aesthetic of religious iconography than the actual religious side. The passion and the blood and the violence and the gaudy side of it I find really fascinating.