I don't have a very quick sense of humor.

And, I may add, from what totally unexpected sources come many of those who from the comparatively modest beginning in the chorus rise to the heights of really great achievement in the theatrical profession.

It is the task of several months and it is a fact that a girl, either while rehearsing or actually playing, may be training for some character or feature in some future production not yet definitely fixed even in my own mind.

To illustrate what I mean, an apt dancer may be in thorough unison with the others in that particular group, and at the same time reveal a difference in dancing temperament, rhythm or technique; she may phrase, accentuate or actually interpret differently.

Not only may she unconsciously register a favorable impression with my associates and me, but she may also suggest something by her work that will lead to some new and novel feature in a forthcoming production.

How little the public realizes what a girl must go through before she finally appears before the spotlight that is thrown upon the stage.

Half of the great comedians I've had in my shows and that I paid a lot of money to and who made my customers shriek were not only not funny to me, but I couldn't understand why they were funny to anybody.