Artists are all giving so much of ourselves to the work and the people and the press and the media and Twitter and all that now. For me, being able to create from a genuine place is really difficult lately because there's so much going on all the time, but when all that stuff gets quiet, you can explore your ideas without any ego or mental chatter.

I feel some responsibility to shine light on things that I love.

I can't work without a Good L.A. weed. That's the thing you miss the most.

Communicating with musicians is really interesting because everyone has their quirks and their strengths and their weaknesses.

I try to convey this feeling of being innocent in a mystical state, being in a place that's new, seeing things with brand new eyes, for better or worse. I just imagine this little kid floating on a beautiful king-size bed over the city at night, seeing all sorts of crazy stuff happening in the world. To me, half the fun is all the stories other people have.

I'm not going to be like, "I gotta get this idea out of my head." It's like, "OK, here's a clean slate, and I've got all these paints, and all these brushes, and this is what I'm going to do with it." It reveals itself, and you take a step back and say, "What's happening here? Where are we going? What does this mean? Do I need to break it open? Does it need to just be what it is? Should it end now?"

I'm not the kind of person who's always out at the club if I don't have to be. I like chilling. I think that comes across in my music.