They were simple, earnest people, those early Victorians, and had not yet learnt the trick of avoiding disturbing thoughts and sights.

What then is to be the lot of Rossetti's fame and influence? 'An amateur who failed in two arts', it is true; yet it hardly harms Rossetti or touches his standing. On the contrary, it defines both very brilliantly. The small word 'failed' is a small word and little more to artists who are forever going on until they give up over a game that must be lost. Every artist, when confronted by the immensities of art, which is life, must confess to failure. A failure is a thing very relative.

Open the book to page ninety-nine and read, and the quality of the whole will be revealed to you.

It is not merely that people must die and people must suffer, if not here, then there. But what is dreadful is that the world goes on and people go on being stupidly cruel - in the old ways and all the time.

New York is large, glamorous, easy-going, kindly and incurious, but above all it is a crucible - because it is large enough to be incurious.

There is no man who loves a woman that does not desire to come to her for the renewal of his courage, for the cutting asunder of his difficulties. And that will be the mainspring of his desire for her. We are all so afraid, we are all so alone, we all so need from the outside the assurance of our own worthiness to exist.

But responsibility hardens the heart. It must.