I know that I've played a lot of comedic roles. It's a visual medium. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully.

The more experience I get, the more I know to relax and let go of things because there's so much that is out of your control. So much needs to happen to get a film made nowadays and star power doesn't even matter anymore. So, me being what I am, I have to realise that to an extent.

I'm still relatively unknown, and as an actor you just want to work. So, if you get a job, it's hard to turn it down, even if it's something you don't believe is great, you still want to put your stamp on it. And you really believe that by saying yes and bringing your best, you can help it out a little, or improve on something. But the hope is that you can get to a position where you can start to shape your career.

The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role. I love Peter Sellers, Alec Guinness and Gary Oldman. They tend to be British, I guess. People who really disappear and transform, I really like that.

It's a rare thing when you read a role and have this immediate ownership over it, you have this take and this connection, and it's not even that you feel that you're gonna do a good job, it's that you feel like you've found it. It fits, it's natural; it's like putting on a good shoe or something.

I wanted to be an actor from a young age, but actually becoming one and seen the ugly side of the world does feel different and sometimes unwelcome. There are shallow, vapid, untalented people zombieing the streets of Hollywood, adding decadence and immorality to an already extravagant business.

The human mind is like Van Halen. If you just pull out one piece and keep replacing it, it just degenerates.