'm very conscious about how the viewing situation [of the Biennale] creates a situation for the viewer who feels pressured. I don't really have any concept of who looks at my work online. I don't think it's viewed that much online.

My work is basically images set to my particular voice. It's the way the images rhyme and the rhythm. It's a way of economical storytelling for me.

As the art world changes, artists have more and more responsibility. You don't have a lot of luxury to be super secluded.

I understand - and often make fun of - the desire to run to the wall text before running to the painting.

Because I'm always working on something, I'm always thinking.

My dream is to collaborate with a mature person.I feel like my talents were being wasted in art school. I would like to try something else, but not the obvious or usual thing.

That's the fantasy dream project, to collaborate with someone who preaches the gospel of art through music.