I think it's so important to remember the complexity of things.

I always wanted to be an artist, I just didn't know that you could be, or how you could be. I went to an art high school but they never even took me to a gallery.

When people say ceramics is therapeutic and seductive, I think it's really about the wheel. Nothing I've done has that feeling; I feel like I'm fighting with the material the whole time. It doesn't want to be vague. It doesn't want to be asymmetrical. It doesn't want to have different clays combined. It doesn't want to do any of the things I make it do.

I think it's so important to remember the complexity of things.

It's rough to be mugged all the time, to have your place broken into all the time. You can buy a building for very little, but then the building has a fire and you have no money, so you have to fix it all yourself.

In the paintings I was always interested in taking elements of space and the reality that we know and dissolving it into patterns.

I was always interested in finding ways of meeting the familiar very differently, specifically the feminine familiar.