Life, to me, is never one color. Even in the saddest moments, you can have a chuckle. And in the happiest moments, you can shed a tear.

I'm very jealous of actors that swoop in for 20 days, and then swoop back out. When you're a director, you're on that train for the next two years, so you best love it like you've never loved anything, ever.

The more personal you get, the more universal a story you end up telling.

Casting is very instinctual. I really like to meet people. To me, it's about their essence more than their audition.

The test for me, when I read other people's scripts, is whether I feel like there's something about me that is the best person to tell this story. I have a pretty high bar for myself. There's a lot of scripts that I read and think, "Oh, this is great, but I think there are 50 other directors who could bring this to the cinema."

I think hope is key, in life and in art.

Life, to me, is never one color. Even in the saddest moments, you can have a chuckle. And in the happiest moments, you can shed a tear.