With this recitation of paraphernalia and detritus, O'Brien manages to encapsulate the experience of an army and of a particular war, of a mined and booby-trapped landscape, of cold nights and hot days, of soaking monsoons and rice paddies, and of the possibility of being shot, like Ted Lavender, suddenly and out of nowhere: not only in the middle of a sentence but in the midst of a subordinate clause.
Francine ProseIf things are going well I can easily spend twelve hours a day writing, but not writing writing, just thinking and revising and taking a comma out and putting it back in.
Francine ProseWhatโs strange is how many beginning writers seem to think that grammar is irrelevant, or that they are somehow above or beyond this subject more fit for a schoolchild than the future author of great literature.
Francine ProseToo often students are being taught to read as if literature were some kind of ethics class or civics classโor worse, some kind of self-help manual. In fact, the important thing is the way the writer uses the language.
Francine ProseWith so much reading ahead of you, the temptation might be to speed up. But in fact itโs essential to slow down and read every word. Because one important thing that can be learned by reading slowly is the seemingly obvious but oddly underappreciated fact that language is the medium we use in much the same way a composer uses notes, the way a painter uses paint. I realize it may seem obvious, but itโs surprising how easily we lose sight of the fact that words are the raw material out of which literature is crafted.
Francine Prose