Collaboration is like the sex of creativity.

If the movie works, nobody notices the mistakes... If the movie doesn't work, the only thing people notice are mistakes.

When I was 13, I worked for Western Union. When the telegrams came in, I would glue them on the paper and deliver them on my bicycle.

An essential element of any art is risk. If you don't take a risk then how are you going to make something really beautiful, that hasn't been seen before?

I liked to work in a shop down in the basement and invent things and build gadgets.

Lots of people have criticized my movies, but nobody has ever identified the real problem: I'm a sloppy filmmaker.

The photographer and the director are where reality and fantasy meet.