I only do what I do. For me, it is a craft. It's got to be my own thing - otherwise, I would never be successful. I could easily go to the archives and pull 1987 or 1991 collection by Calvin Klein. But when you look in there, you realize that it was never about one piece. It was about the collections as bodies of work.

Being sexy is not about what's on show, it's all about suggestion, or insinuation. I'm interested in the way a garment hangs on a woman's body and the way it moves when she moves.

My resolution is to make positivity, thankfulness and happiness my new mantra.

I hope the average woman feels she needs practicality but with a little bit of fantasy. Otherwise it's just not fashion.

I wanted to be involved with fashion, though I didn't know what being a designer meant.

It's so hard to actually find that niche for yourself. It's like when Nicolas Ghesquiére found Balenciaga. I hate to sound esoteric, but there is something about a house that leads you to that one chair, that one corner, where you just sit and feel comfortable. I feel very comfortable at Calvin Klein. My name is associated with it enough, and we have a fantastic team here.

You can't compare us, but I do think that Calvin Klein influenced his way of working. Calvin created this whole aesthetic with imagery - the whole sex thing. I can see that Calvin influence on his work. What Calvin has created is untouchable. My legacy, whatever it is I'm doing here, is miniscule compared to what he has done. It's just like an update deal.