I don't impose political responsibilities on my fiction. The last thing I would ever want to do, for example, is write a novel that would appear to want to tell people what to think about the immigration debate, and I would never write a novel whose sole ambition was to give a "positive" view of immigrants. I'm for open borders, by the way - down with the nation state!

The Democrats are hardly agents of change, or even remotely interesting talkers or reality observers. The workings of actual power in the US is so remote from the ordinary person, who, it seems, can only be victimized by it, but is powerless to change anything.

People in the big rich countries are often extremely dismissive of the small countries. They think nothing that happens there is of any interest or that it matters at all, but, at the very least, with that attitude they miss out on some extraordinary stories.

The Peña Nieto government is not going to investigate itself; there's no true autonomy in the investigative and justice branches of the government in Mexico. The recent Mexican crimes and scandals, is profoundly structural, and you'd have to change the way Mexico is run, create a truly independent special prosecutor's office, to even have a chance to get close to achieving justice. People, including the families and many others throughout Mexican society, aren't going to give up in fighting for just that kind of change.

There's a certain advantage to living in a small country like Guatemala, I think. You don't feel so distant from political reality there. When things happen, they almost seem to happen on a Shakespearian stage with the audience so close they can become actors too. This is partly what Joseph Brodsky meant when he wrote that small countries have big politics.

I'm a little skeptical of so-called narco fiction, I have to say, though some writers I admire may have written some narco fiction. You feel the dread and the atmosphere in Yuri Herrera's extraordinary novels, but you'd never say that what he writes is narco fiction. The same goes for Martin Solares's novels, inspired by the nightmare city of Tampico, where he's from. Valeria Luiselli, Álvaro Enrigue, I know that they're deeply affected by what goes on in Mexico, but their wonderful writing points in another direction, though not necessarily always and only.

Donald Trump is seriously dark and disturbing. You can't just dismiss it as one more example of American pop culture grotesque.