When I spoke with psychoanalysts, they confirmed to me that the most neurotic relationship is always between mother and daughter. The cliché is to think it's because of the father, the absence of the father.

Sometimes it's easier for me to do films about, and with, women, because I have more distance, I'm more lucid.

Speaking with many young people, they act like their virginity is something you have to turn the page very quickly on. "It's done."

I had in mind a case close to my family, friends of my parents, who seemed to be the perfect bourgeois family, and a young boy, who when he was 17, committed suicide. It was such a shock. The parents didn't understand. Nobody understood why he did that. Everybody was exploring his life, trying to understand what the problem was. Everybody had a feeling that this guy had the perfect life: he was beautiful, he was clever... but he did that. I had that in mind, about Isabelle in Young and Beautiful, for the parents to see adolescents like aliens.

The first idea of Young and Beautiful was to have a young boy and to explore the sexuality of boys. But, I realized, with a boy doing prostitution, of course it has to deal with homosexuality. And I had a feeling it was too much for the film, you know, sexuality, prostitution, adolescence ... there were too many films for one film.

Awards are like hemorrhoids. Sooner or later every asshole gets one.

I didn't want to make Young and Beautiful as very dramatic movie . In a certain way, I wanted to do a girly film. I wanted to make something sweet, pink. With a boy it was too dramatic and too heavy. I had a lot of pleasure with the boys in In the House, I said, "This time I will do a film with girls."