There is a visual narrative that is implicitly understandable even when you don't understand the words and in a good comic, and they are hard to find, but good comics have parallel intertwined narratives.

I now feel that I have a moral duty to course correct and say wait a minute, it's not just for adults.

The image by Barry Blitt of Barack Obama and Michelle in the White House with him dressed as a terrorist, her dressed as an Angela Davis character, a flag burning in the chimney, a portrait of Bin Laden on the wall is an image I'm extremely proud of.

The reason I started to do comics for kids, the real reason is because it worked for me.

Comics are actually dubbed by euphemistic label of graphic novel, which became a big deal.

Art uses many different styles, but his voice is very consistent. He's always concise and clever and funny. That's true of somebody like Chris Ware, who has an emotional quality to his work - but it's boiled down and it's very sober and spare. Each word has great weight. Comics are not just pictures, but it is graphic design in the sense that they are composed and architected in a specific way.

The artists catch what's in the air. It's not because the artist "felt like it" or is a guru who channels the truth of the universe in some opaque, abstract way, or even in a realistic painting. The comics artist is someone who has the humility to set himself up in public culture and to communicate with the reader. If your image doesn't make sense, it's your problem, and I shouldn't publish it.