That's where you have to look for your inspiration. Don't separate the rest of your life - who you are, what you love - from your work.
I don't want to do architecture that's dry and dull.
We live and work in boxes. People don't even notice that.
I work from the inside out.
You have to be optimistic. I still have doubts and conflicts, but the bottom line is, I believe in the future.
If the room is friendly to a relationship between lecturer and audience, you feel everything - the tension, the appreciation. I think the audience feels it too.