Normally you'll have a structure to a song. You'll have an intro to a verse to a pre-chorus to a chorus, kinda repeat that, maybe there's a bridge, then you'll go out on a chorus - that's the quintessential song structure - sometimes you might do a fake-out, re-do a pre-chorus but the chorus doesn't come until later, but for the most part you follow these tried and true structures.

Where my heart lies is in the real-life, but at the same time part of it lies in this creative realm where I need to go in and put out that fire, scratch that itch, in order to be all rounded.

I've always been a fan of vinyl. There's something about the ritual of it. Something about it holds its gravity, for some reason. Sometimes you'll put on music and the music fades into the background. But when you take that vinyl out and put it down, the music becomes the conversation as opposed to being the soundtrack to it.

Festivals are weird, you never know what to expect so it's a bit more nerve wracking then playing your own show.

Every time somebody ever told you that you weren't gonna amount to anything, you know, that's your time to shine, you know? You can show everybody and prove to yourself what you're doing is real and that it counts and that it makes a difference.

I've been really fortunate where I've made stuff that connects to people on a positive level, and that makes me feel really good, but I can't feel comfortable in dictating what they're supposed to feel out of it, nor am I a professional in something where I can really help people any farther than creating the things that I make to help myself.

Sometimes it's a little overwhelming to take on other people's stories, that's just the kind of person I am, maybe I'm empathetic to a fault, I internalize a lot, so it can be a bit hard sometimes, but I understand that that's what they need, and if I can do it, then I'll do it, but if I can't, then I'll try to take a knee.