Working with the kind of talent that I've gotten to work with, like the cast of Sin City, it makes me think probably more fully dimensionally about what is going on behind their eyes. But I draw the way I draw, and ain't nothing gonna change that. Although, I draw Marv and I think, "Boy, I could throw a little Mickey [Rourke] in there."

Alfred: Hmf. I suppose you'll take up flying next, like that fellow in Metropolis.

I moved to New York and was told, "Go back home. We don't need you. Go pump gas. You're from Vermont. We've got no use for you. You're not drawing guys in tights." So, I learned how to draw guys in tights, and I put them in as many crime situations as I could.

As a cartoonist, I'm a caricaturist. First you find out what somebody really looks like, and then you find out what they 'really' look like.

Hollywood is a town; it's not a medium. And cinema is a medium you can practice anywhere.

'Cartoonists' dirty secret is that we tend to come up with stories that involve things that are really fun to draw.

A man without hope is a man without fear.