After 9/11, we realized that all these silly culture wars, and arguing about rock lyrics... who cares? You know, we, for some reason, remembered what our real problems are.

To me, the fun part of both jobs is to always try to push the discussion and debate forward in some way. The most fun part of being a theater critic for the Times was always to try and champion something that maybe other people didn't like, or that was produced under obscure circumstances or had to fight for its life. And I would say in the column what I try to do is in some ways related in that I'm trying to fight for a point of view. I'm not trying to be a kingmaker in either job, and don't want to be, and shouldn't be.

I'm always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio.

The actor doesn't merely command the stage, he seems to own it by divine right.

Our humanity has been compromised by those who use Gestapo tactics in our war. The longer we stand idly by while they do so, the more we resemble those 'good Germans' who professed ignorance of their own Gestapo.

There have been at least three other cases in which federal agencies have succeeded in placing fake news reports on television during the Bush presidency. It was a really good tour. It seemed maybe about a week too long.

Yul Brynner's performance in "The King and I," . . . can no longer be regarded as a feat of acting or even endurance. After 30-odd . . . Mr Brynner is, quite simply, The King.