Create a really interesting, complex person that you want to know more about, and take her on a journey that is rich and fulfilling and that has an end that is perfectly fulfilling, and that has an end that is perfect for that character, and the audience will love it.

Usually monsters are some aspect of human behavior or humanity at large.

As a journalist you have to think quickly, you're exposed to all types of people and situations and you've got to synthesize your thoughts in a very clear and concise way and write them down quickly. Those were all things that have proven really useful in my life as a television writer.

The beauty of a really good movie is that it's a whole world, complete in an hour and a half or two hours.

You can't outsmart or outguess the audience in terms of what the narrative answer is.

I like projects that are entertaining, where I'm emotionally engaged and there's something to think about afterwards.

I think a pilot is a pilot, no matter who's judging it, but I will say I am thinking a lot about how to tell stories for the series in a streaming environment where you can anticipate a huge portion of the audience will consume an entire season in the course of a day, two days or a week.