Usually monsters are some aspect of human behavior or humanity at large.

Create a really interesting, complex person that you want to know more about, and take her on a journey that is rich and fulfilling and that has an end that is perfectly fulfilling, and that has an end that is perfect for that character, and the audience will love it.

The actors in Britain are incredible, and I didn't appreciate that until I got there. They interpret your words and you realize how deliberate and thoughtful they are. There are great American actors, too, don't get me wrong, but the technique that British actors have is something really special.

I think a pilot is a pilot, no matter who's judging it, but I will say I am thinking a lot about how to tell stories for the series in a streaming environment where you can anticipate a huge portion of the audience will consume an entire season in the course of a day, two days or a week.

I love films where I'm looking around the world a little different now that I've seen that. I want something that nourishes my view of the world.

Let's make really good stories that people get something out of. That's the one common denominator with everything I try to do.

I have so many things that I want to do, and I don't have enough time in my life to do them all. The problem with acting business is that it's so expensive and you've got to get so many people to say yes.