When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.

I enjoy the kind of characters that allow you to write the dark stuff. I love Rachmaninoff and Tchaikovsky, and when I'm writing for Dracula or Jekyll & Hyde, I get a chance to use that vocabulary.

The music takes on all different jobs and hopefully is part of telling the story. Each song has to be a story unto itself. It's a very different set of muscles.

There's a tendency for people in New York to think the world exists between the East and the Hudson Rivers, and I don't share that opinion. To me the world is a big place and I try to reach people everywhere. Listen, if I'm nothing else, I feel I've been a man of the people. I'm not going to pretend to be one of those snobby New York theater people.

When I was a teenager in a band playing, everything was great. I still don't feel any different. I still wake up with the same love and passion as when I did this with the band. Because my life in music has let me live the kind of life that I've loved, and I've been able to share it with others and take care of the people I love.

If my life is not crazy and complicated, then something's wrong. I'm happiest when it is, and the fact of the matter is, it's what keeps me fresh.

When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.