I used to tell myself when I was much younger that I didn't want to wake up one day and be 32 years old and still playing records. It's just not going to happen. Well, the joke is on me, because I'm 56 years old now.

I have worked with a lot of different great people. One of the things my partner, my manager Judy Weinstein, instilled in [David] Morales and myself is that the quality goes in before the name goes home.

The lack of quality dance music and the fact that here in the United States, house music is not seen as anything viable by the music industry. I figured that this might be another shot at the industry looking at the possibilities of house music and giving it a little bit more legitimacy than what they give it. It's a host of different things, but it's something that I needed to say musically.

I think dancing is one of the best things anyone can do for themselves. And it doesn't cost anything.

Timing is everything. It is not so much about who you know, especially now with the Internet, because anybody can become a superstar overnight.

The first job I got when I was in high school was working for a department store in New York. I worked in the stockroom. That's when I learned that I couldn't work for anyone else, because I was spoken to in a way that I wasn't spoken to at home.

There is always a point in the party where I wouldn't say I have people in the palm of my hands, but when there is a point in the evening... if you have been to any great party, you know when the whole room becomes one.