I'm a lot more sensitive about music, I think, than most other guys in this particular side of the business. Most of them are beat crazy and beat heavy. I'm more melody. I'm more musical than most of the other ones.

There is always a point in the party where I wouldn't say I have people in the palm of my hands, but when there is a point in the evening... if you have been to any great party, you know when the whole room becomes one.

I used to tell myself when I was much younger that I didn't want to wake up one day and be 32 years old and still playing records. It's just not going to happen. Well, the joke is on me, because I'm 56 years old now.

A friend of mine that happened to be a DJ at another club actually offered me a job [as a DJ]. I didn't think I could do it but he said, "You know all the music. You are at all the parties, and everybody knows you."

The lack of quality dance music and the fact that here in the United States, house music is not seen as anything viable by the music industry. I figured that this might be another shot at the industry looking at the possibilities of house music and giving it a little bit more legitimacy than what they give it. It's a host of different things, but it's something that I needed to say musically.

I refused to be disrespected. So, at 16, of course, I was a gentleman about it, but I told them and it cost me my job.

The first job I got when I was in high school was working for a department store in New York. I worked in the stockroom. That's when I learned that I couldn't work for anyone else, because I was spoken to in a way that I wasn't spoken to at home.