I have always thought that the role of the film-maker is to present the argument persuasively, emotionally and coherently and then it is over to the viewer, they are either convinced or not convinced, moved or not moved and they decide whether they will take action or not.

I've always loved J.R.R. Tolkein and recently, Christine Feehan and J.K.Rowling. There are many as I'm an avid reader, but those three come to the fore.

I love writing about the military, as I live near an air force base and am inspired by the sacrifices our soldiers make for us. I like to give them a lot of challenges to beat, and show how they live with intrigue and danger.

I am a true psychic. In my family it's the norm. My sister and mother are always 'in my head' and say or do the same things I'm doing at the same time.

Franny Armstrong is a mother of three and a grandmother of four. Her husband supports her imagination and has the patience of a saint. She's been writing since she was a child, creating plays to act out in front of the neighborhood children.

I realised what a powerful position you are in if you own the rights to your film because then you control the distribution and I ended up getting 25 million viewers for McLibel and that's what it's all about for me.

Doing nothing about climate change is still a fairly common affliction, even in this day and age. What to do with those people, who are together threatening everybody's existence on this planet? Clearly we don't really think they should be blown up, that's just a joke for the mini-movie, but maybe a little amputating would be a good place to start?