A poem doesn’t come out and tell you what it has to say. It circles back on itself, eating its own tail and making you guess what it means.

Guess what it is that turns plants to coal. Pressure. Guess what it is that turns limestone to marble. Pressure. Guess what it is that turns Briony's heart to stone. Pressure. Pressure is uncomfortable, but so are the gallows. Keep your secrets, wolfgirl. Dance your fists with Eldric's, snatch lightning from the gods. Howl at the moon, at the blood-red moon. Let your mouth be a cavern of stars.

I might be a wicked girl who'd think nothing of eating a baby for breakfast, but I'd never allow myself to get expelled. It's far too public.

There are no preconditions for jealousy. You don't have to be right, you don't have to be reasonable. Take Othello. He was neither right nor reasonable, and Desdemona ended up dead. I wouldn't mind Leanne ending up dead. I wouldn't mind exploding her into fireworks of peacock and pearl.

It's strange how a person can have a distinct distaste for herself, but still she clutches on to life.

It’s one thing if a person learns you’re a witch. It’s quite another if he learns you’re a murderer. I almost forget I’m a witch now that I know I’m a murderer—murderess, actually. Murderess sounds so much worse.

The beach has a language of its own, with its undulating ribbons of silt, the imponderable hieroglyphs of bird tracks. The receding waves catch on innumerable holes in the sand. Bubbles form and fade. A new language, with a new alphabet.