I am trying to intensify my feeling for the organic rhythm in all things, trying to establish a pantheistic contact with the tremor and flow of blood in nature, in animals, in the air - trying to make it all into a picture, with new movements and with colours that reduce our old easel paintings to absurdity.

I never, for instance, have the urge to paint animals 'the way I see them,' but rather the way they are... The way they themselves look at the world and feel their being

Art will liberate itself from the needs and desires of men. No longer will we paint a forest ora horseas we like oras theyappear to us, but as they really are.

Whenever we have seen a crevice in the crust of convention, we have called attention to it, because we have hoped for a force underneath, which will someday come to light.

Art has always been and is in its very essence the boldest departure from nature. It is the bridge into the spirit world.

Is there a more mysterious idea than to imagine how nature is reflected in the eyes of animals?

Today we are searching for things in nature that are hidden behind the veil of appearance... We look for and paint this inner, spiritual side of nature.