I often take a brand-new suit or hat and throw it up against the wall a few times to get that stiff, square newness out of it.

It takes time to get a dance right, to create something memorable.

Can't act. Can't sing. Slightly bald. Can dance a little.

For ballroom dancing, remember that your partners have their own distinctive styles also. Cultivate flexibility. Be able to adapt your style to that of your partner. In doing so, you are not surrendering your individuality, but blending it with that of your partner.

The unpadded shoulders, the three-buttoned long and boxy coat, the too-short, thin pants, and the thin ties with striped buttoned shirts in dark colors-well, I suppose this may go very well with some personalities but it's not for me. To me, all such look like TV producers. Maybe they want to.

Dancing is a vertical interpretation of a horizontal intention.

When working on my choreography I am not always receptive to outside suggestions or opinions. I believe that if you have something in mind in the way of a creation, such as a new dance, a sequence, or an effect, you are certain to come up with inaccurate criticism and damaging results if you go around asking for opinions.