Either the camera will dance, or I will.

The hardest job kids face today is learning good manners without seeing any.

People think I was born in top hat and tails.

The unpadded shoulders, the three-buttoned long and boxy coat, the too-short, thin pants, and the thin ties with striped buttoned shirts in dark colors-well, I suppose this may go very well with some personalities but it's not for me. To me, all such look like TV producers. Maybe they want to.

If the dance is right, there shouldn't be a single superfluous movement.

I inherited the knowledge that sometimes (talents) not only skip a generation, but sometimes run screaming from it. Ironically, it was the singing non-ability that helped feed my love of laughter.

When working on my choreography I am not always receptive to outside suggestions or opinions. I believe that if you have something in mind in the way of a creation, such as a new dance, a sequence, or an effect, you are certain to come up with inaccurate criticism and damaging results if you go around asking for opinions.