When Wes came back to Limp Bizkit, we really wanted to do something different. We wanted to make a core record that we didn't care who liked or who disliked.

I love finding EPs for bands that you just discover.

It's amazing how, over time, a person's perspective can be altered.

I was a kid who got picked on in school and got beat up by popular, athletic soccer-type people.

When you say something is very different to a core base that expects heavy music from you or very aggressive music, everybody tends to go, 'Oh, they're gonna get mellow, they're gonna get soft.'

Prague is a dark place.

There's some people who are not understanding what Limp Bizkit is about. But, then again, who am I to tell people what they can use art for or how they can interpret it?