I started getting interested in the notes that I could hear being generated when I hammered on while playing a classical guitar.

I don't know if I'm striving for anything that I can put into words.

The totality of a record is usually beyond ones ability to imagine when you start working on it, but the component parts are, usually, fairly clear one way or another.

Improvised music involves a lot of intuition and I like developing intuition.

I think that one of the things that influences me most as a composer is to what extent I can deconstruct and reconstruct the material that I'm working with.

I remember playing football dressed in peculiar costumes with some friends in France and laughing so hard we couldn't even stand up, let alone kick the ball.

Well, I think music for kids is never anything but experimental is it?