I was always around people who were in the business from the time I was an absolute baby. I grew up in New York City, and my parents, my sister, and I had a house on Fire Island, and they were part of a set of people that were all close and friendly, most of whom were involved in show business in one regard or another. So it was always familiar to me, and I kind of enjoyed it.

I was always around people who were in the business from the time I was an absolute baby. I grew up in New York City, and my parents, my sister, and I had a house on Fire Island, and they were part of a set of people that were all close and friendly, most of whom were involved in show business in one regard or another. So it was always familiar to me, and I kind of enjoyed it.

In general, I'm always interested in characters who have kind of extreme aspects to them, who are in some ways larger than typical people.

I'm one of relatively few stage-trained actors who doesn't much like acting on stage. It feels kind of like riding the Cyclone at Coney Island, which I did when I was eight. When it was all over, I was glad I had done it, but most of the time when it was actually happening, I was just kind of hanging on for dear life.

It's funny, but three of my early films were with Liam Neeson, before Liam Neeson was a big star.

Though I acted in hundreds of productions, appeared at the Guthrie Theatre and on Broadway in Amadeus, I discovered in my thirties that I didn't really like stage acting. The presence of the audience, the eight shows a week and the possibility of a long run were all unnatural to me.

In my career, I've had kind of a strange trajectory as an actor. I started out doing movies and theater and stuff, but then I had a terrible problem with stage fright as an actor on stage, and I quit stage acting for a long, long time.