Though I acted in hundreds of productions, appeared at the Guthrie Theatre and on Broadway in Amadeus, I discovered in my thirties that I didn't really like stage acting. The presence of the audience, the eight shows a week and the possibility of a long run were all unnatural to me.

The voice-over world has changed radically in the time that I've been in it. It used to be this rather small, select group of people who did 90 percent of the work. Now it's kind of the reverse: 90 percent of the work is done by this very broad mix of people all over the country, and the guys who used to be the go-to guys are a much smaller percentage now. But there was this massive interest in voice-over as well as in the story, so I think that also added to the film's appeal.

I haven't appeared on stage in quite a long time and I don't have any immediate plans to do so, but I'm always interested in going back.

I always did plays in school because I thought it was fun, but it just never occurred to me as a thing to do.

Well, because I have twin seven-year-old boys, I enjoy the gift giving stuff a great deal. We do both Hanukkah and Christmas, so it is a costly, though extremely pleasing proposition.

It's funny, but three of my early films were with Liam Neeson, before Liam Neeson was a big star.

I'm one of relatively few stage-trained actors who doesn't much like acting on stage. It feels kind of like riding the Cyclone at Coney Island, which I did when I was eight. When it was all over, I was glad I had done it, but most of the time when it was actually happening, I was just kind of hanging on for dear life.