I hope that many visual journalists will be hired or funded along the way as well - we urgently need their perspectives.
Fred RitchinThe decisive moment, the popular Henri Cartier-Bresson approach to photography in which a scene is stopped and depicted at a certain point of high visual drama, is now possible to achieve at any time. One's photographs, years later, may be retroactively rephotographed by repositioning the photographer or the subject of the photograph, or by adding elements that were never there before but now are made to exist concurrently in a newly elastic sense of space and time.
Fred RitchinThere are very few instances where writers have also been effective image makers - different skill sets are required.
Fred RitchinPhotographs need to demand the viewer's attention, often implicitly, posing questions as to the nature of what is being depicted. Photographs are not there to show us the world, but to show us a version of what may be happening.
Fred RitchinI always believed that photography was subjective, interpretive and certainly did not represent the truth, but I did think that its status as a societal and historical referent needed to be both safeguarded and illuminated....now photojournalism is devolving into yet another medium perceived as intending to shock, titillate, sell, distort.
Fred Ritchin