[Lee Morgan] was the only young cat that scared me when he played. He had so much fire and natural feeling. I had more technique, but he had that feeling. People seemed to like him more than they like me at the beginning.

We all kind of grew up together with Art Blakey because we all were young and he gave us a chance to write. We had to write something that was good and to sit up with a great guy like Art Blakey and watch him.

Well, my sister played trumpet. Can you imagine having a sister blowing the trumpet around the house, Fred? And my brother, he played piano. Everybody was playing some kind of music, so it was natural for me to get into it.

I quit drinking, so I can think clear. When you have chop trouble, drinking doesn't help the healing process.

A very few musicians passed across all decades. In terms of trumpet playing, Louis Armstrong does it of course but Sweets [Edison] is right up there too. He is unique, in every sense of the term.

Man, you'd be surprised how much I'm learning - not only about myself, but about the musicians who came before me. You don't realize at first when you listen to Armstrong's records how great this man was and how hard that Hot Five music was to play. After the experience of reading and playing those parts, I have an even greater respect for Louis Armstrong than before

Dizzy used to tell me I'm playing too hard. He'd say to not give everything. Miles told me that too.