Our stories are all stories of searching. We search for a good self to be and for good work to do. We search to become human in a world that tempts us always to be less than human or looks to us to be more. We search to love and to be loved. And in a world where it is often hard to believe in much of anything, we search to believe in something holy and beautiful and life-transcending that will give meaning and purpose to the lives we live.

The sacred moments, the moments of miracle, are often the everyday moments.

I'm trying to listen to my past, listen to what's most deeply going on inside myself, my creative set of fictional characters, a fictional world - to listen to that world, to search.

To confess your sins to God is not to tell [God] anything [God] doesn't already know. Until you confess them, however, they are the abyss between you. When you confess them, they become the bridge.

Of the Seven Deadly Sins, anger is possibly the most fun. To lick your wounds, to smack your lips over grievances long past, to roll over your tongue the prospect of bitter confrontations still to come, to savor to the last toothsome morsel both the pain you are given and the pain you are giving back--in many ways it is a feast fit for a king. The chief drawback is that what you are wolfing down is yourself. The skeleton at the feast is you.

Laugh till you weep. Weep till there's nothing left but to laugh at your weeping. In the end it's all one.

Everybody prays whether [you think] of it as praying or not. The odd silence you fall into when something very beautiful is happening or something very good or very bad. The ah-h-h-h! that sometimes floats up out of you as out of a Fourth of July crowd when the sky-rocket bursts over the water. The stammer of pain at somebody else s pain. The stammer of joy at somebody else's joy. Whatever words or sounds you use for sighing with over your own life. These are all prayers in their way.