By and large a good rule for finding out is this: the kind of work God usually calls you to is the kind of work a) that you need most to do and b) the world most needs to have done. If you really get a kick out of your work, you've presumably met requirement a), but if your work is writing TV deodorant commercials, the chances are you've missed requirement b).

. . . [T]o live not with hands clenched to grasp, to strike, to hold tight to a life that is always slipping away the more tightly we hold it, but . . . to live with the hands stretched out both to give and receive with gladness.

If we are a people who pray, darkness is apt to be a lot of what our prayers are about. If we are people who do not pray, it is apt to be darkness in one form or another that has stopped our mouths.

From the simplest lyric to the most complex novel and densest drama, literature is asking us to pay attention. Pay attention to the frog. Pay attention to the west wind. Pay attention to the boy on the raft, the lady in the tower, the old man on the train. In sum, pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein.

Whenever you find tears in your eyes, especially unexpected tears, it is well to pay the closest attention. They are not only telling you something about the secret of who you are but, more often than not, God is speaking to you through them of the mystery of where you have come from and is summoning you to where, if your soul is to be saved, you should go to next.

Jesus is apt to come, into the very midst of life at its most real and inescapable moments. Not in a blaze of unearthly light, not in the midst of a sermon, not in the throes of some kind of religious daydream, but...at supper time, or walking along a road...He never approached from on high, but always in the midst, in the midst of people, in the midst of real life and the questions that real life asks.

Theology, like fiction, is largely autobiographical.