I can't imagine having the courage to ask a publisher to do a whole book of my poems.

If you can propose a memoir, even if you are eighteen years old - and what do you remember? What are you memeing? If you can propose a memoir, I believe someone will pay you to write it. And you will get a contract for nonfiction. And if it is about victimology in one way or another than you'll get more money. It's a sensation.

We are herding the young in that direction so that they are not sitting still and contemplating, Goddamn it, a page of exquisite prose by Charles Dickens, which is filled with rage about poverty and the need of a household to survive. That's not in the table for consideration now. And people don't understand that beautiful rage of Dickens because they don't share it. They haven't got time to worry about an oppressed culture, a subclass.

If a writer is honest, if what is at stake for him can seem to matter to his readers, then his work may be read. But a writer will work anyway, as I do, and as I have, in part to explore this terra incognita, this dangerous ground I seem to need to risk.

When I am writing a novel I try not to read great prose stylists into which I will fall.

Baseball is a game where you are always waiting, and then when something happens it's like turning a kaleidoscope when you were a kid.

What to know about pain is how little we do to deserve it, how simple it is to give, how hard to lose.