Poetic and speculative photographs can result if one works carefully and accurately, yet letting chance relationships have full play.

I could take a cow and implant a camera in it and let it amble around the city or in its own domain (I say a cow because a human being I would not trust). If the camera was programmed to go off at an indeterminate series of moments, the samplings would be fantastic.

In total acceptance, almost everything becomes a revelation.

The coherent way of investigating any field is to examine its possible relatedness to other things.

If I could find them (assemblages) in nature I would photograph them. I make them because through photography I have a knowledge of things that can't be found.

Art and accident are one.

Words represent images: nothing can be said for which there is no image.