If I worked in my apartment, I'd never leave my apartment.

Whether you're a newspaper journalist, a lawyer, a doctor. You have to organize your thoughts.

I think I've learned a lot about how to make movies, and particularly about how to edit movies by thinking about how similar problems are resolved in other forms. The issues in all forms are the same in an abstract sense, aren't they? Characterization, abstraction, metaphor, passage of time... Whether it's a movie, a novel, a play, or a poem, those issues exist. And each person resolves them differently.

Making movies is an effort is an attempt to leave a trace of your existence.

My job as a film editor is to construct a dramatic narrative because otherwise it's just a chaotic arrangement of sequences.

I do not think that my films or films by any other filmmaker represent "THE TRUTH." I do not feel the need to categorize my films or anyone else's.

It is always a problem to know what an image means.