There's the internal rhythm within a sequence, and then there's the rhythm between the sequences, and that's extremely important in constructing the narrative. For example, you don't put two big dramatic scenes right next to each other. But you can use the rhythm of the transition shots; they can often serve a double purpose.
Frederick WisemanWhether you're a newspaper journalist, a lawyer, a doctor. You have to organize your thoughts.
Frederick WisemanIn moviemaking, you learn to pay attention to detail, because so much is in the detail. And when you're shooting, you try to be very alert to what's going on, even if you're tired.
Frederick Wiseman