I've been working with music videos and commercials, they are naturally very music driven and visual driven. So that feels like my natural element to be working with that.

I think I've always admired sort of dynamic filmmakers, which doesn't shy away from strong expressions. Which might be a little more theatrical at some points.

What I love about the filmmakers that I mentioned [Danny Boyle,Leo Carax], is that it's visual but it's also, you see that the characters are the most important thing. The actors are the most important thing.

I've been working with music videos and commercials, they are naturally very music driven and visual driven. So that feels like my natural element to be working with that.

I asked Shia: who is the guy that terrifies you the most? And he said Mads. So it was somebody we both really wanted to work with. He's intimidating, but has a really big heart and he's sexy. He's got this sexiness, even guys fall for him. He just penetrates everything-not literally. So we needed a brokenhearted thug that could really give us the heartache. And going between the violence and viciousness and the complete softness without making it too much. A lot of those characters can go into a charade, and I needed it to be genuine heartbrokenness and that's what he's great at doing.

Danny Boyle has been a huge, has had a huge effect on me. His movies, early movies like Trainspotting and those movies. So I've always loved the energies of those movies. But also, that they are very focused on the characters. Cause it's not only gimmickery, it's not only about visuals. You feel a real need, a love for the main characters. So that's what I've always loved about watching movies myself.

When you're working with film and you hear that mag starting to roll and you know that there's thousands of dollars just spinning around, it's another stress element, which I don't enjoy at all.