The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own traveling brotherhood.

The true call of the desert, of the mountains, or the sea, is their silence - free of the networks of dead speech.

Perhaps the best function of parenthood is to teach the young creature to love with safety, so that it may be able to venture unafraid when later emotion comes; the thwarting of the instinct to love is the root of all sorrow and not sex only but divinity itself is insulted when it is repressed. To disapprove, to condemn the human soul shrivels under barren righteousness.

Love, like broken porcelain, should be wept over and buried, for nothing but a miracle will resuscitate it: but who in this world has not for some wild moments thought to recall the irrecoverable with words?

The camel is an ugly animal, seen from above. Its shoulders slope formless like a sack, its silly little ears and fluff of bleached curls behind them have a respectable, boarding-house look, like some faded neatness that dresses for propriety but never dressed for love.

every word calls up far more of a picture than its actual meaning is supposed to do, and the writer has to deal with all these silent associations as well as with the uttered significance.

There are, I sometimes think, only two sorts of people in this world - the settled and the nomad - and there is a natural antipathy between them, whatever the land to which they may belong.