One can only really travel if one lets oneself go and takes what every place brings without trying to turn it into a healthy private pattern of one's own and I suppose that is the difference between travel and tourism.

On the other hand, there is a certain advantage in traveling with someone who has a reputation for shooting rather than being shot: as Keram said, in a self-satisfied way, they might kill me, but they would know that, if I was with him, there would be unpleasantness afterwards.

not wholly consciously, but not quite unconsciously, as far as I can remember, I determined to fashion my future as a sculptor his marble, and there was in it the same mixture of foresight and the unknown. The thing in the mind of the artist takes its way and imposes its form as it wakens under his hand. And so with life.

There are, I sometimes think, only two sorts of people in this world - the settled and the nomad - and there is a natural antipathy between them, whatever the land to which they may belong.

Tidiness ... makes life easier and more agreeable, does harm to no one and actually saves time and trouble to the person who practices it: there must be an ominous flaw to explain why millions of generations continue to reject it.

The greatest of mythologies divided its gods into creators, preservers and destroyers. Tidiness obviously belongs to the second category, which mitigates the terrific impact of the other two.

The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own traveling brotherhood.