The Antichrist, Section 7

Very early in my life I took the question of the relation of art to truth seriously: even now I stand in holy dread in the face of this discordance. My first book was devoted to it. The Birth of Tragedy believes in art on the background of another belief

The press, the machine, the railway, the telegraph are premises whose thousand-year conclusion no one has yet dared to draw.

It is with artworks as it is with wine: it is much better when we do not need either one, when we stick with water, and when out of our own inner fire, the inner sweetness of our own soul, we turn the water over and over again into wine ourselves.

Democratic institutions form a system of quarantine for tyrannical desires.

The way to transmute your iron duty into gold in everyone's eyes is this: always deliver more than you promise.

It is, indeed, a fact that, in the midst of society and sociability every evil inclination has to place itself under such great restraint, don so many masks, lay itself so often on the procrustean bed of virtue, that one could well speak of a martyrdom of the evil man. In solitude all this falls away. He who is evil is at his most evil in solitude: which is where he is at his best - and thus to the eye of him who sees everywhere only a spectacle also at his most beautiful.