love as a passion—it is our European specialty—must absolutely be of noble origin; as is well known, its invention is due to the Provencal poet-cavaliers, those brilliant, ingenious men of the "gai saber," to whom Europe owes so much, and almost owes itself.

The followers of a great man often put their eyes out, so that they may be the better able to sing his praise.

Where the good begins.- Where the poor power of the eye can no longer see the evil impulse as such because it has become too subtle, man posits the realm of goodness; and the feeling that we have now entered the realm of goodness excites all those impulses which had been threatened and limited by the evil impulses, like the feeling of security, of comfort, of benevolence. Hence, the duller the eye, the more extensive the good. Hence the eternal cheerfulness of the common people and of children. Hence the gloominess and grief - akin to a bad conscience - of the great thinkers.

Let them like the Tibetans, chew the cud of their "om mane padme hum" innumerable times, or, as in Benares, count the name of the God Ram-Ram-Ram (etc. with or without charm) on their fingers; or honour Vishnu with his thousand names of invocation, Allah with his ninety-nine; or they may make use of the prayer-wheels and the rosary: the main thing is that they are settled down for a time at this work and are tolerable to look at. This kind of prayer has been invented for the benefit of the pious who have thought and elevations of their own.

Assuming that rapture is nature's play with man, the Dionysian artist's creative activity is the play with rapture.

All I need is a sheet of paper and something to write with, and then I can turn the world upside down.

He who has attained the freedom of reason to any extent cannot, for a long time, regard himself otherwise than as a wanderer on the face of the earth - and not even as a traveler towards a final goal, for there is no such thing. But he certainly wants to observe and keep his eyes open to whatever actually happens in the world; therefore he cannot attach his heart too firmly to anything individual; he must have in himself something wandering that takes pleasure in change and transitoriness.