So long as the spectator has to figure out the meaning of this or that person, or the presuppositions of this or that conflict of inclinations and purposes, he cannot become completely absorbed in the activities and sufferings of the chief characters or feel breathless pity and fear.

Aphorisms should be peaks - and those who are addressed, tall and lofty. The air thin and pure, danger near, and the spirit full of gay sarcasm: these go well together.

People who feel insecure in social situations never miss a chance to exhibit their dominance over close, submissive friends, whomthey put down publicly, in front of everyone--by teasing, for example.

Indeed, at hearing the news that 'the old god is dead', we philosophers and 'free spirits' feel illuminated by a new dawn; our heart overflows with gratitude, amazement, forebodings, expectation - finally the horizon seems clear again, even if not bright; finally our ships may set out again, set out to face any danger; every daring of the lover of knowledge is allowed again; the sea, our sea, lies open again; maybe there has never been such an 'open sea'.

What we call truths are just those errors that we cannot give up.

Here the spirit becomes a lion who would conquer his freedom and be master… Who is the great dragon whom the spirit will no longer call lord and go? ‘Thou shalt’ is the name of the great dragon. But the spirit of the lion says, ‘I will.

On the rare occasions when our dreams succeed and achieve perfection - most dreams are bungled - the are symbolic chains of scene and images in place of a narrative poetic language; they circumscribe our experiences or expectations or situations with such poetic boldness and decisiveness that in the morning we are always amazed when we remember our dreams.