Whenever the truth is uncovered, the artist will always cling with rapt gaze to what still remains covering even after such uncovering; but the theoretical man enjoys and finds satisfaction in the discarded covering and finds the highest object of his pleasure in the process of an ever happy uncovering that succeeds through his own efforts.

Oh great star! What would your happiness be if you did not have us to shine for?

In our own presence, we all pretend to be simpler than we are: thus we take a break from our fellow human beings.

Every high degree of power always involves a corresponding degree of freedom from good and evil.

Quidquid luce fuit tenebris agit: but also the other way around. What we experience in dreams, so long as we experience it frequently, is in the end just as much a part of the total economy of our soul as anything we "really" experience: because of it we are richer or poorer, are sensitive to one need more or less, and are eventually guided a little by our dream-habits in broad daylight and even in the most cheerful moments occupying our waking spirit.

I too have been in the underworld, as was Odysseus, and I will often be there again; not only sheep have I sacrificed so as to beable to speak with a few dead souls, but neither have I spared my own blood as well.

However much we may feel for the misery of someone close to us, we always act with some artificiality in their presence. We hold-back from telling them everything we think, often because we do not genuinely mean what we say; or because we take a pleasure in their plight, thankful that we are not affected.