One ironic thing is that although (the Soviet Union) was one of the most oppressive systems, with no respect for the individual, it somehow produced the freest hockey on the planet. These guys, when they got on the ice, it was like watching jazz. They could do anything. I find that a paradox. It's interesting because I think the North American style was a lot less free. It was not encouraged to be creative.

I guess the prime example is in North America there's a thing where if there's no opportunity to move forward with the puck, then a [hockey] player is told to dump the puck into the other zone. Just give up the puck and dump it in. Give it to the other team. And to the Soviet mentality in coaching, it just doesn't make any sense. If you're a skilled player, why are you going to give the puck away to the other team? Just give it away, right?

Anatoli Tarasov, the guy that created the Soviet style of play, was a visionary. He was a creative thinker. He studied ballet and chess and art and read a lot.

When people do something extraordinarily well, it's self-evident. It could be art. It could be a circus, whatever it is, where people are doing incredible things. It's self-evident. You know that it's beautiful. You know that it's very difficult, but it looks easy.

I'm American and I wanted my friend and people to see ' Red Army' . I didn't want it to be a film for Russia, although I did show it there and they absolutely loved it.

What I found interesting about Slava Fetisov was that he went through three different generations of Soviet hockey. In the late 70's, he experienced the Miracle on Ice, and then in the 80's became with his teammates the Russian Five, the most dominant team in the history of hockey, and then helped bring down the hockey system when the Soviet Union collapsed and became one of the first players to play in the NHL, and then ultimately came back to Russia.

My parents are from the former Soviet Union, from Ukraine, and I grew up wanting to be a professional hockey player.