It's actually pretty complex, because there's two levels of reality in the narrative. One is what really took place, and the other is Spider's poisoned version of what took place.

When you come back to a country that you've left, you're in a very peculiar situation because, in a way, you don't belong to that country any more, even though when I'm in America I feel I don't belong there either.

I think there's a bit of the devil in everybody. There's a bit of a priest in everybody, too, but I enjoyed playing the devil more. He was more fun.

And then, I suppose, there's also a cinematic reality on top of that. Because it was extremely difficult to keep tabs on, it was quite confusing acting that.

This notion that Americans have. . . that they don't have to do anything other than be American in order to lead - that's very pervasive in the culture, it goes very deep into how they see themselves here.

From doing A Moon for the Misbegotten, I've learned that nobody's love can save anybody else. There are people who want to die, and nothing or nobody will stop them. The only one who can save you is yourself.

Unfortunately, I experienced some sexual abuse. It was a known and admitted fact of life amongst us that there was this particular man, and you didn't want to be left in the dressing room with him. It took many years to come to terms with it and to forgive those incidents that I felt had deeply hurt me.